When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
Amateur footage of the main sights and buildings in the centre of Ayr, and shots of Alloway.
Manufacture of components for Black and Decker tools. [Incomplete]
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
James Kottak, Matthias Jabs, Rudolf Schenker, Klaus Meine, Pawel Maciwoda (from left to right) in "Scorpions - Forever and a Day" (2010-15)
Chilly Gonzales in "Shut Up and Play the Piano" (2018)
Hector Kirschtal, Nina Schwabe, Jakobus Siebels (v.l.n.r.)
Rudolf Schenker in "Scorpions - Forever and a Day" (2010-15)
Matthias Jabs in "Scorpions - Forever and a Day" (2010-15)
Tony-Conrad, Genesis P-Orridge (v.l.n.r.)
James Kottak, Katja von Garnier, Rudolf Schenker, Klaus Meine, Matthias Jabs, Pawel Maciwoda (front first to sixth on the left) on the set of "Scorpions - Forever and a Day" (2010-15)
Hector Kirschtal
Daily call sheet for 19 July 1968 for the shooting of "Winnetou und Shatterhand im Tal der Toten".
Daily production report No. 14, 07 August 1959 on the shooting of "Du bist wunderbar".
Brief des Landesverbands der katholischen Männervereine und Kasinos in Bayern e.V. an das bayerische Innenministerium, mit der Bitte die Vorführung von "Frauennot - Frauenglück" in jeder Form unmö...
Daily call sheet for 29 July 1968 for the shooting of "Winnetou und Shatterhand im Tal der Toten".
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...
Aubinger, Josef: „Die Kinematographie in Kriegszeiten.“ Der Kinematograph 398 (1914): 3-5. Artikel, der die mögliche Zukunft des Kinowesens im Krieg beschreibt. Die wirtschaftliche Lage der Kinos...